A frighteningly prescient novel of today’s America—one man’s story of a racially charged real estate experiment in Detroit, Michigan.
“You get in the habit of living a certain kind of life, you keep going in a certain direction, but most of the pressure on you is just momentum. As soon as you stop the momentum goes away. It’s easier than people think to walk out on things, I mean things like cities, leases, relationships and jobs.”
Greg Marnier, Marny to his friends, leaves a job he doesn’t much like and moves to Detroit, Michigan in 2009, where an old friend has a big idea about real estate and the revitalization of a once great American city. Once there, he gets involved in a fist-fight between two of his friends, a racially charged trial, an act of vigilante justice, a love affair with a local high school teacher, and a game of three-on-three basketball with the President—not to mention the money-soaked real estate project itself, cut out of 600 acres of emaciated Detroit. Marny’s billionaire buddy from Yale, Robert James, calls his project “the Groupon model for gentrification,” others call it “New Jamestown,” and Marny calls it home— until Robert James asks him to leave. This is the story of what went wrong.
You Don’t Have to Live Like This is the breakout novel from the “fabulously real” (Guardian) voice of the only American included in Granta’s Best of Young British Novelists. Using the framework of our present reality, Benjamin Markovits blurs the line between the fictional and the fact-based, and captures an invisible current threaded throughout American politics, economics, and society that is waiting to explode.
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Greg Marnier, Marney to his friends, has a story to tell about leaving a job he didn’t much like and what happened to him when he moved to Detroit, Michigan, in 2011, where an old friend had a big idea about real estate and the revitalization of a once great American city. It’s a story that involves a fistfight between two friends, an act of vigilante justice, a racially charged trial, a love affair with a colleague, a game of three-on-three basketball with the president of the United States, and the money-soaked real estate project itself.
Cut out of six hundred acres of emaciated Detroit, the development is described by Marney’s billionaire buddy from Yale, Robert James, the plan’s creator, as the “Groupon model for gentrification.” Everyone else calls it “New Jamestown.” Marney used to live there before Robert himself asked him to leave. This is the story of what went wrong.Benjamin Markovits grew up mostly in Texas and London. He has published eight award-winning adult novels. He lives with his family in London, where he teaches creative writing at Royal Holloway, University of London.
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Book Description Paperback. Condition: new. Paperback. A frighteningly prescient novel of today's America--one man's story of a racially charged real estate experiment in Detroit, Michigan."You get in the habit of living a certain kind of life, you keep going in a certain direction, but most of the pressure on you is just momentum. As soon as you stop the momentum goes away. It's easier than people think to walk out on things, I mean things like cities, leases, relationships and jobs."Greg Marnier, Marny to his friends, leaves a job he doesn't much like and moves to Detroit, Michigan in 2009, where an old friend has a big idea about real estate and the revitalization of a once great American city. Once there, he gets involved in a fist-fight between two of his friends, a racially charged trial, an act of vigilante justice, a love affair with a local high school teacher, and a game of three-on-three basketball with the President--not to mention the money-soaked real estate project itself, cut out of 600 acres of emaciated Detroit. Marny's billionaire buddy from Yale, Robert James, calls his project "the Groupon model for gentrification," others call it "New Jamestown," and Marny calls it home-- until Robert James asks him to leave. This is the story of what went wrong.You Don't Have to Live Like This is the breakout novel from the "fabulously real" (Guardian) voice of the only American included in Granta's Best of Young British Novelists. Using the framework of our present reality, Benjamin Markovits blurs the line between the fictional and the fact-based, and captures an invisible current threaded throughout American politics, economics, and society that is waiting to explode. "A portion of this novel appeared, in slightly different form, in the Spring 2013 issue of Granta"--Copyright page. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780062376619