The Man with Night Sweats is a haunting depiction of a world ravaged by illness that is part elegy for those who have been lost and part evocation of the changes that await those who survive. It is also one of the few works of literature that have fully met both the aesthetic and the moral challenges that the AIDS epidemic poses. The nobility and sobriety of Thom Gunn's forms enhance and underscore the gravity and pathos of his subjects. The results have the cathartic and healing power of great art.
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Hugging my body to meAs this avalanche of tragedy begins to slide down the hills of Gunn's adopted San Francisco, the poems themselves change form. They cascade from the elegiac couplets of "The J Car," about the decline of a gym owner, into the harrowing free verse of "In Time of Plague," in which the speaker remembers being too "afraid of the strength / of my own health" to indulge with "Brad and John, these fiercely attractive men / who want me to stick their needle in my arm." Gunn's understated emotional weariness is especially compelling when read alongside the book's many songs of innocence. The simple "Seesaw," for example, provides an ars poetica that applies equally to life: "So it ends / as it begins. / Off we climb / And no one wins." Although the specter of plague stands behind much of the book, he maintains the tense prosodic trajectory he's followed since 1954's Fighting Terms. His long California residency aside, Gunn writes the best British poetry of his generation, and The Man with Night Sweats is his finest book to date. --Edward Skoog
As if to shield it from
The pains that will go through me,
As if hands were enough
To hold an avalanche off.
Thom Gunn (1929–2004) was born in England but lived in San Francisco for most of his life. He was the author of two volumes of essays in addition to his volumes of poetry.
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