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Dyja has a gifted understanding of the powerlessness one faces in combat. War in this novel is not tragic merely because it kills and maims good men; it is dispiriting because it robs them of their identities. He handles the multiple points of view of his Brooklyn protagonists superbly, differentiating them by class, social standing, and ethnicity, and aptly shows how the war frays their senses of themselves. Commanders become followers, Irish racists hide amongst black gravediggers, and staunch abolitionists measure their belief in liberty against their gut instincts concerning the corruptibility of human nature. If the sectional crisis of the first half of the 19th century was settled on the fields of battle, the class struggle of the second half was forged in the streets of Brooklyn--making Dyja's company all the more fascinating for the way they illustrate the transition. Although the novel's climax abandons historical materialism for genre convention, the tense mixture of espionage, betrayal, and vivid battle scenes in Play for a Kingdom should please discriminating fans of Civil War fiction. --John M. Anderson
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Book Description Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR004292094
Book Description Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Seller Inventory # GOR004240153
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