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The detective in question is Sandor Seymour, reared by immigrant parents in London's working-class East End and now a multilingual officer with Special Branch. Dispatched to Trieste at the request of the British Foreign Office, it is Seymour's task--operating under the guise of an itinerant King's Messenger--to determine whether the eccentric Lomax left his post voluntarily, or was removed violently. Discovery of the consul's corpse, beaten and dumped into the sea, settles that question, but leaves others tantalizingly unanswered: Why had Lomax been roaming the docks on the night of his demise? With whom had he visited the cinema earlier that evening? Is his perishing somehow related to his falling out with an influential Serbian businessman? And why is Seymour suddenly being followed? Aided by a gruff Austrian inspector and a gaggle of bohemian artists, and pleasantly distracted by Lomax's model friend, Maddalena, Seymour must deal with revolutionaries, farcical "futurists," and his own family's political past as he tries to solve the consul's killing and prevent Trieste from becoming the fuse that ignites a world war.
British author Pearce, best recognized for his series featuring Gareth Owen, the Mamur Zapt in early 20th-century Cairo, Egypt (A Cold Touch of Ice, The Face in the Cemetery), brings to A Dead Man in Trieste his usual flair for convoluted plots, humorous characters, and deft crime-solving compromised on occasion by the vexatious demands of diplomacy. Seymour is a charming protagonist, displaced from his London beat to make sense of Trieste and, in sequels to come, resolve misdeeds at other British consulates and embassies across Europe. With the added incentive of seeing Maddalena once more--clothed or not--this series holds great promise, and the potential of introducing Pearce to a broader U.S. audience. --J. Kingston Pierce
Pearce was raised in Anglo-Egyptian Sudan. As an adult, he trained as a Russian interpreter during the Cold War, and subsequently became involved with Amnesty International.
His first novel, The Mamur Zapt and the Return of the Carpet, was published in 1988. That was the start of a "Mamur Zapt" series of mysteries.
He has also published a number of "A Dead Man in..." mysteries, set in the period preceding World War 1 and featuring Sandor Seymour, an officer of Scotland Yard's Special Branch who is sent by the British Foreign Office to deal with various crimes involving members of the British diplomatic service. These mysteries are notable for their attention to period detail and setting.
His 1992 The Mamur Zapt and the Spoils of Egypt won the Crime Writers' Association's Last Laugh Award for funniest crime novel, and his 1999 Death of an Effendi was shortlisted for the Ellis Peters Award for best historical crime novel.
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