Say Her Name - Softcover

Francisco Goldman is the author of three novels: The Long Night of White Chickens which was a finalist for the PEN/Faulkner Award; The Ordinary Seaman, a finalist for the Los Angeles Times Book Prize and The Divine Husband. His non-fiction work The Art of Political Murder: Who killed the Bishop? was a Best Book of the Year for The Chicago Tribune, The Washington Post and The Economist in 2007. Goldman has been a contributing editor for Harper's magazine and his fiction, journalism and essays have appeared in The New Yorker, The New York Review of Books, Esquire and The New York Times Magazine.

Winner of the Prix Femina Etranger A Best Book of the Year: "New York Times" Notable"New York" magazine"Entertainment WeeklyBoston Globe""Pittsburgh Post-Gazette""Publishers Weekly"Barnes and Noble"The Guardian""The Globe and Mail""The Daily Telegraph""The Independent""Sunday Herald""The Herald" (Glasgow)"The Daily Mail"Shelf Awareness "Quietly devastating . . . Powerful . . . As the story builds--inevitably, unbearably--toward Aura's last day, Goldman has so convincingly brought her to life that her death still somehow comes as a shock. . . . Goldman's beautifully written, deeply felt ode to his wife . . . lets you meet this unusual woman through Goldman's lovestruck gaze, and you can't help falling for her a little too. Even after the book ends, the sting of Aura's absence lingers." --"Entertainment Weekly "(A-) "A masterpiece of storytelling and scene-setting."--Colm Toibin, "The Guardian "(Best Books of 2011) "Goldman's searing novel "Say Her Name" is for me the book of the year. . . . A soaring paean to a brilliant young woman and to the infinite invincible power of love."--Junot Diaz, "New York" (Favorite Books of the Year) "Passionate and moving . . . Beautifully written... the truth that emerges in this book has less to do with the mystery of [Aura's] death . . . than with the miracle of the astonishing, spirited, deeply original young woman Goldman so adored....So remarkable is this resurrection that at times I felt the book itself had a pulse."--"The New York Times Book Review" "To call Francisco Goldman's book about the death of his young Mexican wife an elegy hardly represents it. Lament is closer, but insufficient. It is a chain of eruptions, a meteor shower; not just telling but bombarding us in a loss that glitters. With the power and fine temper of its writing, it is as much poem as prose. . . . Tense set pieces, respectively heartbreaking and ch