Look Who's Back - Hardcover

The son of a German mother and a Hungarian father who fled the country in 1956, Timur Vermes was born in Nuremberg in 1967. He studied history and politics and went on to become a journalist. He has written for the Abendzeitung and the Cologne Express and worked for various magazines. He has ghostwritten several books since 2007. This is his first novel.
ABOUT THE TRANSLATOR: Jamie Bulloch's translations include Ruth Maier's Diary, Portrait of a Mother as a Young Women by F. C. Delius, and novels by Paulus Hochgatterer and Daniel Glattauer.

Look Who's Back, the film, is streaming on Netflix!
An Independent Best Books of the Year selection
A New York Times Summer Reading Pick

"You know his name. You know his face. You know his hair and mustache, which are caricatured with sharp, witty minimalism on the cover of Look Who's Back, in which a baffled Adolf Hitler is returned to the even more baffled German people. Now you'll also know Timur Vermes, whose debut novel has created a sensation in Germany. [Look Who's Back] is desperately funny . . . Mr. Vermes has created an ingenious comedy of errors in which the jokes are either on Hitler's misapprehensions about the modern world or the modern world's refusal to take him at face value . . . Read this book."―Janet Maslin, The New York Times

"Very funny . . . The frisson of reading Look Who's Back comes from its seamless transition from Borscht Belt one-liners to disturbing invocations of the legacies of Nazi rule. Mr. Vermes gives us a bracingly double-sided Hitler-the arresting public speaker and astute negotiator who loves dogs and small children, and also the fanatical champion of political violence, global tyranny and ethnic cleansing . . . Translator Jamie Bulloch helps by providing a glossary at the close of the book, but what people will remember is his perfect rendering of the ridiculously orotund, yet oddly compelling, manner of Hitler's speechifying."―Sam Sacks, The Wall Street Journal

"We're startled into a genuine laugh . . . Vermes plays all of this straight, or at least deadpan. He is not a historian, but his presentation of the minutiae of Hitler's life amounts to an impressive feat of historical research . . . the ventriloquism here is impressive . . . The most striking and provocative feature of the narrative, in fact, is not the decision to resurrect Hitler but the choice to use him as a first-person narrator - to risk telling us more about Hitler than could be known, in Forster's phrase.―Daniel Torday, The New York Times

"Look Who's Back is Hitler satire at its best . . . while there has been much debate over whether or why it's appropriate to laugh at Vermes's relentless Hitler satire, this well-researched and uproariously cringe-worthy book makes it hard not to . . . It is ultimately a sort of commentary on Hitler's first ascent to power-on the point at which a charismatic man starts being taken seriously, and what that transition entails . . . laugh-out-loud funny."―Kira Bindrim, Newsweek

"A hilarious, yet poignant look at today's world through the eyes of one of its most horrific villains . . . the political and social satires translate will through the language barrier as the translator, Jamie Bulloch, did a fantastic job in the writing."―Seattle Post Intelligencer

"Look Who's Back offers searing cultural and political commentary in the guise of a wildly entertaining story."―Paste Magazine

"[A] wickedly satiric first novel . . . Hitler is, of course, deadly serious, and the dissonance between his earnest bigotry and the vacuousness of our media-soaked age is the comic grist that propels the novel toward its truly ironic conclusion. While German journalist ­Vermes has a good deal to say about the state of contemporary Germany, his reach here is more universal, as he's crafted a sardonic send-up of a media and a world where the message doesn't matter so long as your ratings are high and your videos go viral on YouTube."―Library Journal

"Thrillingly transgressive."―The Guardian

"The joke is not on the reanimated Fuhrer, spouting predictably on immigrant and Jews, but on the ironic flippancy of the YouTube generation . . . rollickingly enjoyable."―Angel Gurria-Quintana, The Financial Times